The Cholas
also built many temples and numerous sculptures were also found. They include
bronze image of Nataraja, the divine dancer Shiva, dancing the dance of death
and destruction. The Chola rulers are remembered most for their creations
rather than their ruling.. Chola rulers were active patrons of the arts,
poetry, drama, music, and dance. They are known for constructing enormous stone
temple complexes decorated inside and out with painted and sculpted
representations of the Hindu gods.
Architecture
developed rapidly under the Chola Empire. The temples that were constructed
were magnificent to look at. Another
famous form of art was the bronze figurines that were crafted during this time.
The craftsmen used to beautifully decorate the statues with garlands and
jewelry while carving the statue itself.
Under the
Cholas the Dravida style of temple architecture exclusive to the south,
attained its most magnificent form. The main feature of this style was the
building of between five to seven storeys above the chief deity room. A large
elaborately carved pillared hall with flat roof was placed in front of the
Sanctum. This Mandap acted as an audience hall and a place for various other
ceremonies. Sometimes a passage was added around the sanctum for devotees to
walk around it where images of many other Gods were placed. The entire
structure was enclosed by high walls with very lofty gateways called Gopurams. The
torus moulding in the basement, which is chamfered, is found in the earlier
Chola temples,later it got rounded. The cornice was of flexed shape, and the
exterior of the shrine walls had no extravagant sculptural decorations. Sub
shrine for attendant divinities were another feature that helped in the
development in temple complexes.
The earlier
temples were modest in size. The later ones where large with Gopuras or Vimanas
dominating the landscape.
Temple
building activity continued even after the fall of the Cholas.
EARLY CHOLA
The Chola
architect found great use of consistently applied pilasters, piers and (later)
attached columns to bind together the distinct masses of the main structure.
Niches appear on the west, north and south sides of the vimana on the square
ground storey; one on either side of the ardha-mandapa and also at cardinal
points on the girva, at the base of the circular or square shikara. The kumund
is rounded and semi-circular and not ocatgonally chamfered. An elegantly carved
frieze of serried heads of vyalis appears as part of the upper mouldings on the
base. The kudus are topped by kirtimukhas (glory heads) in place of spade
shaped finials. Decorative refinement is accomplished by panjaras
(pavilion-like projections with their own kapotas and base mouldings). A small
independent pavilion forms part of the architectural scheme on the southern
side within the walled enclosure, later on leading to the erection of
subsidiary free-standing shrines within the temple compound. The subordinate
deities are housed in small independent shrines.
MEDIEVAL CHOLAS
The political
supremacy of The Cholas suffered a temporary setback when the Rashtrakutas
subdued them in 949CE. During this period the glory of the Chola architecture
revealed itself in brief glimpses under the royal patronage of queen dowager
Sembiam Mahadevi whose major contribution lies in restoration of old edifices
and covering old brick structures with stone. The triple-storeryed Achalesvara
at Tiruvarur owes its splendid form chiefly to the queen.
LATER CHOLA
During this
period, all principal deities of the Hindu pantheon appear on the Chola
temples; Shiva, the most popular deity in many a shrine; appears on the
superstructure of many a shrine.